![]() ![]() Leave a note in note to seller if you would like one of these thread colors instead. Option thread colors available are turquoise, white & burgundy. By purchasing from Windrose Custom Goods you acknowledge this statement.īlack thread is used on all color options except for natural, tan, tan ombre, bison brown, brown ombre & mustard yellow in which case I use brown thread. Leather ages just like anything so as time and wear ensue please note the coloring and look of the item will age as well. As such, with the small variations in hide color, each dye varies slightly during the dying processes. I do my best to work around scars, scratch marks and bug bites etc, but some small imperfections may be present on your final product, that is the nature of working with a natural medium. *Please note that each hide is unique and base/natural color may vary slightly from on hide to the next. Patina is the hallmark of a high-quality full-grain leather product. Note - Hermann Oak leather (especially if left natural) will develop over time a gorgeous patina, in other words, it just get better with regular use and passage of time. We are happy to say our products are start to finish made here in the United States.įor examples of color options, see color swatch photo, or, see examples of finished items in each color throughout the shop. Approximately 90% of leather is imported, a large portion of which comes from China & India where the guidelines are nearly nonexistent. Louis, MO using US native steer hides, the leather is processed the old school slow way using sustainable eco & worker friendly methods that utilize tree bark tannins instead of chromium and other toxic chemicals. ![]() We pride ourselves on using only the best. Note - Custom sizes are welcome, just shoot us a message to get your order underway. (NOTE, graphic, board game terminology graphic shown in example photos IS INCLUDED) BUT, you can add on an engraved graphic image, logo, illustration of your own INSTEAD! Anything is possible! send me a message (link below) with your personalization request
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![]() ![]() The first picture is females then the males only black female and white and black male available there is a fee they have been wormed and they are 9 weeks old. Search results for 'mountain feist puppies' Pets and Animals for sale in Raleigh, North Carolina View pictures. AmericanListed features safe and local classifieds for everything you need. Find Feists for Sale in North Wilkesboro, NC on Oodle Classifieds. These dogs are trained for squirrel hunting.NO NOT text, call Lewis ok to leave message. Mountain feist and Mountain cur mix puppies - 50 (Wilkes) Email Poster Mountain feist and Mountain cur mix puppies - 50 (Wilkes) Mountain Feist mix Puppies. Browse search results for mountain feist puppies Pets and Animals for sale in Raleigh, NC. Crate trained, when let outside then she will go. will help you find your perfect Treeing Feist puppy for sale in North Carolina. Registered Mountain Feist, female 5 months old. mountian feist puppies - $150 (Preston)ġ0 week old mountain feist puppies 5 males and 3 females they’ve had shots and wormer very friendly and loving father is nkc Reg mother is not should make great squirrel dogs or companion located around Philadelphia ms. View pictures Feist - Shuman - Small - Baby - Male - Dog Feist - Shuman - Small - Baby - Male - Dog Shuman is an amazing little guy that is such a charm. ![]() Treeing mountain feist pups from excellent registered bloodlines. 5001005025105Local (Clear) All Classifieds > North Carolina > Pets And Animals > Candler Search results for 'mountain feist puppies' Pets and Animals for sale in Candler, North Carolina View pictures Diamond Feist Puppy Female Diamonds story Please contact Flo Lombardo () for more information about this pet. Treeing Mountain Feist Puppies - $250 (Erin, TN).Mountain feist puppies need a good forever home. They Love To hunt chase Squirrel, hunt Rats or Just relax in your lap. Mountain Feist Puppies Born SeptemUp To Date on Shots and Wormer1 Male Brindle and White and 1 Male Black and White They will make a great Family and Hunting Partner. Mountain Feist Puppies - $350 (Blairsville).Full Blooded Feist Puppies - $150 (Natchitoches)įull blooded feist puppies are ready to rehome!The first photo is female, second photo is also a female, the next three are males and the last photo is the mother, I am not around the father but if a photo of the father is needed just ask and I will get a photo of him.Born March 29th, th. ![]() ![]() Intuitively, this encourages the model to learn a copy behavior when it encounters constraint terms. The first one consists in augmenting the training data to specify the constraints. The proposed method combines three main ingredients. Our method acts at the training step and thereby avoiding the introduction of any extra computational overhead at inference step. We present a new approach to encourage neural machine translation to satisfy lexical constraints. Volume 1 : conférence principaleĮncouraging Neural Machine Translation to Satisfy Terminology Constraints. The automatic as well as human accuracy obtained with the submitted systems show the effectiveness of the proposed method.Įncouraging Neural Machine Translation to Satisfy Terminology Constraints.Īctes de la 29e Conférence sur le Traitement Automatique des Langues Naturelles. In addition, following new advances in WLAC, we use a joint optimization strategy taking into account several types of translation context. To do so, the source side of the training data is augmented with both the constraints and the translation context. ![]() Inspired by recent work in terminology control, we propose to treat the human typed sequence as a constraint to predict the right word starting by the latter. ![]() We consider two directions, namely German-English and English-German.The WLAC task in Neural Machine Translation (NMT) consists in predicting a target word given few human typed characters, the source sentence to translate, as well as some translation context. This paper presents Lingua Custodia’s submission to the WMT22 shared task on Word Level Auto-completion (WLAC). ![]() ![]() I needed something that was affordable, but still could do the job. His drum machine, the Linn Drum was too expensive. I knew that I had to own a drum machine because my favorite musician at the time, Howard Jones owned at least one. I went nuts! I learned so much about programming synths from that one keyboard. But I had my tape machine, which had an input on the back and with my Commodore, I could sequence music. I didn’t have a studio, I didn’t have a mixer. Now there were only six voices, which means that you could only play six notes at a time before it would steal notes, or cut off the sound, but it was something and it was a start. I could create whole compositions with one keyboard. But, there was this thing called a sequencer, which if you used it with a Commodore 64, you could “sequence” up to six tracks at a time. It was very unassuming, there was not a forest of knobs, just one knob which allowed you to go through a set of menus to tweak one parameter at a time. One of the keyboards they showed me was this cut down, smaller keyboard called a Six Trak. They said that they could show me a few different things. I went into the local music shop and I said that I wanted to trade in my Siel Cruise. I didn’t even know what Sequential Circuits was, and I certainly was not in a position to afford a Prophet 5, or a Jupiter 8, both pieces of equipment that I really wanted. ![]() It sounded hilariously awful, but he had loads of fun doing it. My fondest memories were of my tutor playing German folk songs and Christmas Carols on it. In a nutshell, it was like your first used car, it was a set of wheels, but nothing more. ![]() ![]() And, even though it was dirt cheap at the time, it sounded dirt cheap. You could not save sounds, you could not use a single cable to plug it into another keyboard/module to get it to make a sound. While this was technically a synthesizer, like every other analogue keyboard that was built before MIDI, you could do nothing with it. When I say proper synthesizer, I did beg, borrow and “save” enough money to buy a Siel Cruise. My First “Real Keyboard”ĭave Smith’s company, Sequential Circuits, built the first proper synthesizer I ever owned, the Sequential Circuits Six Trak. Dave Smith was a genius level inventor who changed my creative world and millions of others with his invention of MIDI. To me, there has been no more important technology that transformed my life than MIDI. Dave Smith: A Tribute to the Father of MIDI. ![]() ![]() However, the actual effect on racing is suprisingly low-most of the destruction just kinda happens and few tracks get radically changed by the events. This is probably the most cinematic racing game ever, and the frame-rate usually remains rock solid (though Suburban Shakedown absolutely tanks on the third lap, but that's the most extreme track in the game). And the destruction events are incredible when they do happen. You have everything from a downtown center to an idyllic suburb to an interstate on the city's outskirts to a massive storm drain and subway tunnels. Firstly, I like how Evolution, as always, mines their locations for all their worth. Speaking of the tracks.they are a mixed bag as well. NFS Underground 2 or Midnight Club 3 this ain't. Making your own livery is neat, but the actual parts aren't really all that different from each other. They clearly wanted customization to make up for it but you just don't get to change much. I would love for a trilogy remaster that lets you use all the Pacific Rift vehicles on the tracks. Still, there are so many great cars that just got lost. I love the Orbiter, V8 XR, Blacksun, Hoodcruze, Bulkhead, Ridgetail, GT101, Butane, etc. However, I gotta admit, the new cars are all really cool. Only 3 per class, and while there are five new classes or so, they basically just took the Rally Cars and Bikes respectively and split them up. They must have had to remodel the cars to lower their polycount, hence why the car list is so heavily pared down. Plus, the moody red lighting in some of the later levels like Car Go, The End is Nigh, and Falling Down look good.Īnd I think that explains the car roster. I love mangled destroyed architecture and this game has that in spades. However, the destroyed city looks incredible, at least from a design perspective. The cars in general seem to be MUCH heavier than the previous games-they don't fly all over the place when wrecking and slam into each other with a much more heavy weight and heft whereas in PR and MV the cars often behaved like they were made of styrofoam to be blunt. The whole game just doesn't look as good in terms of model quality. The explosion graphics look like pixelated comic book sound effects. None of the massive deformation or shit flyin' everywhere. Vehicle damage has been pared back, crashes in particular look really awful, there's no other way to put it. Starting with graphics: damn, this game really had to sacrifice so much to get those destruction sequences in. Don't get me wrong, I love Apocalypse, but it's really weird and uneven compared to the first two games. However.the rest of the game is a mixed bag. Mid-air cooling encourages you to boost even more so the game is VERY fast. The way the camera lurches back when you start boosting, the speeds you can reach, it's all good. They aren't incredibly light and twitchy like Monument Valley, but also actually have grip unlike Pacific Rift. It's quite similar to Arctic Edge, and I dunno if Evolution got the idea from that game or they were the ones who directed BigBig to make the cars drive like that and then they took that for their next game, but I love how the cars handle. The cars have a sense of weight and grip that I think the first two games lacked. I went through all the tracks, trying out the various vehicles.įirstly, while this is controversial, I think Apocalypse has great physics and handling. ![]() ![]() ![]() After several hours of annoying fiddling and resigning (and then having to get my original disc out because the digital version is entirely different for some reason) I got it working on my PS3. The motorstorm facebook group had a save file with all the cars unlocked. ![]() ![]() It looks like two forward slashes parallel to each other on the top line of a music staff.īy itself, it indicates a short silence with a sudden stop and sudden resume. with the difference of typically a shorter duration of silence. The caesura is used in a similar manner to the G.P. The pause is left to the discretion of the performer or conductor. Sometimes, the fermata can appear above a whole rest. Usually, a fermata indicates that a note should be sustained longer than its value. The length of the pause is left to the discretion of the performer or conductor. The notation "G.P." or "L.P." is marked over a whole rest. With interactive lesson plans that you actually play along with, your ability to read rests will increase every time you practice.Indicates pause or silence for all instruments or voices. Skoove can help you to learn how to read rests more easily. ![]() Make sure you pay attention to these very important symbols when you see them! Rests can occur on any beat, in the middle of a measure, or at the end of a bar. There is a corresponding note for every rest. It is just as important to play rests for the number of beats they are written as it is to play a note. The rest is used to mark pauses in written music. You will commonly see rests with a fermata at the end of a piece of music or between sections. What is this rest used for?Ī rest followed by a fermata is usually used to extend the length of time musical sound should play or to introduce some element of drama or space to music. Learning to read these symbols is just as important as learning how to remember piano notes. It is generally up to the performer how long to play the fermata. The fermata symbol extends the value of the corresponding note or rest. The fermata symbol looks like a crescent shape with a dot inside of it. Here is an example of some major and minor chords with a few sixteenth rests thrown (one e and uh two e and uh three e and uh four e and uh) How to count this?įor example, we count this musical rest in the same value as well: Similar to the sixteenth note, this rest symbol lasts for ¼ of a beat like the note. Here is an example of some basic piano chords with a couple of eighth rests thrown in:Ī sixteenth rest or semiquaver rest looks like this:Ī sixteenth rest features two flags, just like the sixteenth note features two beams. How to count this?įor example, we also count the eighth rest in the same way we count the eighth note: Therefore, two eighth rests equal one quarter note, just the same as two eighth notes. An eighth rest lasts for one-half of one beat. Eighth restĪn eighth rest on sheet music resembles a stylized ‘7’ and is analogous to an eighth note. But, how do we use music rest symbols to measure a smaller value of time? We use an eighth rest and a sixteenth rest to notate a smaller pause in sheet music. ![]() ![]() So far, we have learned how to measure pauses in larger durations. Go to the lesson Smaller lengths of time in notation For example, you will never see rests tied together in a piece of music to increase the number of beats you play. One major difference between notes and rests is that you will often see notes nights together to increase their length. Like the whole note, the whole rest lasts for a length of four beats in a 4/4 time signature. Whole rests are analogous to whole notes. These rests hang down from the fourth line of the staff and likewise measures half the length of the fourth space. The whole rest or semibreve rest is also a rectangular musical shape. The whole rest or semibreve rest looks like this: You can learn about this and much more with online piano lessons from Skoove. The combination of a quarter rest and half rest is most frequently used to measure the length of three beats, instead of dotted rests. You might occasionally see a dotted quarter rest, but you will almost never see dotted half rests like you see a dotted half note. It might seem intuitive that we would use dotted rest notes in the same way we use dotted notes. ![]() ![]() We go to pull the app up we have to put the password in, then it sends a text to confirm it’s me, then logs you in. The worst part though is that signing into the app. My wife has made a point to log on, but still a pain. Right now we are so busy getting this ready it’s just been frustrating. Unless you log onto the computer it’s awash. Always has technical difficulties, my phone or my my wife’s phone. The points system is awesome, a fantastic idea, but it NEVER works on the app. The two thing that pisses me and my wife off though is signing into the app and the points system. ![]() We are close to close at this time 4/4/23, less than 16 days now!! I would recommend them to anyone, they have dumbed down everything for us and our first house, and been there basically the entire step of the way so far. I work in lending and I still use them over my employer due to their streamlining and quick response. I look forward to closing on my purchase in a couple weeks and working with them if I ever need financing again! I also recommend them to anyone and everyone. So statements looked like you were behind if you used the grace period, after customers complained they changed to mailing on the 20th. They absolutely listen to their customers! For example they decided they were going to start sending statements on the 8th even tho grace period is to the 15th. If you have any questions about your to-do items you can call, text, or email your banker and they always get back usually with in the hour unless it is some crazy hour of the night. ![]() Their to-do list is so easy to provide what you need. When it was time to purchase another home, I obviously went to Rocket again. I used them to refinance and it was so incredibly easy, I did 90% from my phone. ![]() I cannot say enough about Rocket Mortgage and their service. ![]() ![]() ![]() ![]() Please describe the issue as detailed as possible and, if applicable, name the Activation Code you've tried to use.Īn unused Activation Code is equal to a not yet used software license. If you cannot solve an activation or license problem, please refer to our support team via the Contact page. USB-eLicenser help/FAQ | Soft-eLicenser help/FAQ If you experience difficulties during the activation, you will find helpful information in these knowledge base articles: In this way, a license can be made portable and also be made usable on computers without internet access. Licenses that already have been stored in a Soft-eLicenser still can be transferred to a USB-eLicenser. If you have further unused Activation Codes, simply repeat the steps accordingly.ĭuring the activation, licenses that are usually stored in a Soft-eLicenser on a hard disk can alternatively be stored on a connected USB-eLicenser. As soon as the license has been downloaded, it will appear in the right column of the eLicenser Control Center under 'Licenses'.Click on and finally on to complete activation.The Activation Code must not have been used before. Of course, you can also copy and paste the code into the input field. If the required USB-eLicenser or Soft-eLicenser is displayed, click on the green button at the upper left of the eLicenser Control Center.If the Soft-eLicenser appears to be missing, please click here. If your software does not ask for an USB-eLicenser, the license will be stored in the Soft-eLicenser which will be represented by a hard disk symbol on the left side under 'eLicensers'. If the USB-eLicenser appears to be missing, please click here. In case your software requires an USB-eLicenser or if you want to use one, make sure the USB-eLicenser is connected and displayed by the eLicenser Control Center. USB-eLicenser and Soft-eLicenser in the eLicenser Control Center Apply the 'Maintenance & Online Synchronisation' by clicking on 'Perform Maintenance Tasks' (or click on the 'Maintenance' button at the top right if not shown).You will find it under 'Program Files' (Windows) or 'Applications' (Mac OS X). Some installers allow for including updates during the installation. Install the latest update if available in the Steinberg Download Assistant or on our download pages.The following instructions outline the Activation - thus the download of a license by entering an Activation Code in the eLicenser Control Center - in detail. Legacy versions of Cubase LE, Cubase AI and WaveLab LEĭuring the installation of one of these legacy products, a demo license limited in time will be created: Cubase LE 4, 5 and 6, Cubase AI 4, 5 and 6, WaveLab LE 6Īn Activation Code for a permanent license can be obtained by registering the software online in your MySteinberg account. ![]() Depending on the product, the mail includes the Activation Code or a Download Access Code. When redeeming the Download Access Code in the Steinberg Download Assistant, an Activation Code will be automatically generated and used to download and activate your license.Īn Activation Code will also be sent to you by email when you perform a Reactivation in your MySteinberg account. In case you've purchased software as download from our online shop, you've received a confirmation email. Older boxed Steinberg software only: The Activation Code is printed on the included Essential Product License Information card. When redeeming the Download Access Code in the Steinberg Download Assistant, an Activation Code will be automatically generated and used to download and activate your license. ![]() If you have received your Steinberg software in a box, it includes a Download Access Code printed on a sheet ( Essential Product License Information). How do I get my Activation Code?Īctivation Codes can have different sources: This tutorial video shows the Activation process by a practical example. The Activation via Activation Code will be automatically performed when you redeem a Download Access Code in the Steinberg Download Assistant. After entering an Activation Code, the license will be downloaded and stored either in the Soft-eLicenser - locally on hard disk - or on a connected USB-eLicenser (dongle). The Activation is done in the utility eLicenser Control Center that is being installed along automatically. What does Activation mean?Īny Steinberg software needs to be activated by downloading and storing the required license. The following information is not relevant for you. If your software uses Steinberg Licensing introduced in January 2022, This article refers to eLicenser-based license management. ![]() ![]() ![]() There was this-I thought-mistaken notion of rich people. GM: I didn’t care for the experience, quite frankly. How would any of us wind up being actors or artists if he had decided to just straighten up at the age of 5? Or 35 or 55 or 65, for that matter! If you give up the fantasy life, I’m out of business… and who the hell wants that? I’ve known a few men like that, who wanted a 5-year-old to straighten out, which is ridiculous, of course. ![]() But it was fairly predictable what he wanted from the guy: it was a father who was distracted and wanted his son to be a certain way, thought it was nonsense that the kid had such a fantasy life, and one thing and another. Wolfgang just sort of let me do whatever I wanted to do in the character. And when I got word through my agent that this director had asked for me to do this little role in a film that he was doing, I was, like, “When do I show up?” And playing the role was fascinating. Wolfgang Petersen is, as you well know, one of the finest film directors ever, and I had just-well, several months before being offered that role, I’d seen Das Boot, and I was just blown away. GM: Well, that was fascinating because of the director. The oil fields allowed me to be an actor, quite frankly. And at the same time, I was doing those little low-budget films and a little piecemeal work in various and sundry other projects. I mean, you couldn’t make any real money working in that rep company. So it was a strange existence for four or five years, but the oil field work actually allowed me to afford to be an actor. So I was bouncing back and forth between oil field work and doing Shakespeare and George Bernard Shaw and Ibsen and things like that. And I worked half the year in the oil fields and half the year in the rep company. By the second year, I was bored with college at that point and I dropped out, and I went to work in the oil fields and auditioned for a place in a reparatory company that was in New Orleans. I started to do it, and then at Ole Miss, where I went to college, I was in a lot of the productions the first year. And I thought, “Hey, this is kind of fun! I think I could do this!” And one of the teachers put me in a play. And then in ninth grade I messed up a knee about halfway through football season and was out the rest of the season, and somebody suggested that I go over to the drama club and help them build sets, because my father had built houses and I had worked as a carpenter. ![]() The first inclination I had about acting was in junior high school and, you know, like any other kid who grew up with the cowboys and stuff like that, I was sort of interested in the movies on that level. GM: Well, it’s interesting: That actually sort of helped me. Again, sometimes in spite of yourself, but it gets done. But just about all of those people have wound up with careers in the movie business… to my mind in spite of Night Of Bloody Horror rather than because of it! We were just sort of stumbling our way into doing what we do, and there’s a certain aspect of that sort of guerrilla filmmaking that appeals to me, because I think a lot of good creative stuff winds up being done. And they had had a little bit of experience in the movie business, but not enough so it showed. It was like one of those Mickey Rooney/Judy Garland “my uncle has a barn we could use” scenarios. ![]() And then through her I got introduced to her nephew, and this guy, he was going to be making this little low-budget film, and we all sort of hit it off, and we wound up making a movie. When they came in, she would do local casting and stuff, and she actually lived in my neighborhood and I got to know her. His aunt Wilma was a sometimes casting agent in New Orleans for films. GM: Actually, it was through the aunt of one of the producers on the film, Al Salzer. ![]() ![]() High $89 for the 1 st year and less in subsequent years WakaTime, Google App Engine, Composer, Vagrant ![]() Is it possible to install PHP oriented plugins? ParametersĪvailability of JavaScript oriented plugins Let’s discuss the top comparison between PHPStorm vs WebStorm using the below table.
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